From my maiden voyage with Alvin Rakoff’s Death Ship at the tender age of ten, ocean liners have fascinated me. The old ocean liner chestnut is one has long since shivered me timbers. We’ve already had a small building in lockdown and a wedding eption hall, so this time he chooses a location free of distraction. That has never been the goal and, instead, he opts for an insular setting, playing out entirely in close quarters. For continuity purposes and because she kicks ass in a wife-beater, he brings back plucky television reporter Ángela Vidal (the delectably dangerous Manuela Velasco) to wrap things up and, once again, is disinterested in showing the outbreak on a larger scale. Interestingly, if you watched the first, second and fourth films back-to-back, then they stream as one long nightmare and this allows him to tie things up precisely the way he intended. However, he is quick to point out that the third installment is still very much a part of the process and acknowledges events. This time Balagueró returns and interestingly picks up the reins from the end of the second film. Somehow, the franchise remained on course and the decision was made to give it a swan song. Plaza’s threequel may have upset some with its more comedic approach, but true horror aficionados weren’t so quick to give the bride-to-be away. Turns out that she knew how to wield it decidedly well. Secondly, Clara wasn’t afraid to get a little blood on her garter and there are few pieces of hardware as iconic as a fueled-up chainsaw. Firstly, our femme fatale Clara made quite the blushing bride and Leticia Dolera gave a belligerent account of herself as her big day rapidly turned awry. This time the disease spread further and the wedding crasher theme worked for a number of reasons. At this point, Plaza did the unthinkable and ³ Génesis was an entirely different creature from both its predecessors.Īgain, not everybody was convinced but, to his eternal credit, he crafted something of a minor classic. While I actually welcomed the shift in tone and still consider this to be a strong entry, others weren’t quite so enthused and alarms started to sound. Like the original it focused on a small group of survivors in a quarantined apartment complex but this time it introduced a new supernatural theme which displeased some purists. Within two years the pair were at it again and 2 divided audiences by taking the series in a new direction. Despite its Spanish origins, went on to create quite the global stir, becoming one of the most talked about horror movies of the year and encouraging the Americans to churn out their own localized version, John Erick Dowdle’s Quarantine. In 2007, Jaume Balagueró and Paco Plaza started an epidemic.
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